It also has a sample and hold output for additional random modulation.
#Moog sound studio price Patch#
Modulation with the Grandmother is provided by an LFO that is routed for pitch and filter modulation but can also be assigned elsewhere via the patch bay. The delay is based on the one found in the classic Moog 500 series. On the flip side, the Matriarch ditches the reverb for an analog delay unit in its effect section. The reverb also has an external input so you can run any other source through it. There is a built-in analog spring reverb with mix control in the Moog Grandmother. It also features an expression pedal input. The patchbay on the Matriarch has 90 patch points for lots of patching potential. In terms of the Grandmother’s patchbay, it has 41 points that you can use to reconfigure the synth, as well as connect it to external modular and semi-modular gear. Each of those parameters can also be rerouted via the patch bay. The Matriarch’s keyboard goes one better and has 49 keys, as well as velocity and aftertouch. Moog’s Grandmother has a 32 note keyboard with velocity sensitivity, which can be routed to a number of destinations via the patchbay. The Matriarch also has a step sequencer with 256 steps, but it can also save up to 12 sequences in its memory for playback. The Grandmother’s 256-step sequencer also has an arpeggiator, and can play back a sequence forwards or in reverse. They can be run in series, parallel, or stereo, making the filter very versatile. The filter section on Matriarch is again similar to Grandmother, but it has two ladder filters. It also has the option for keyboard tracking. All of the oscillators can be synced together, and also have frequency and pulse width modulation inputs.įor the Moog Grandmother, the filter is a 24 DB/octave ladder-style filter with a classic Moog sound. The Matriarch’s oscillators are similar to the Grandmother’s, but its modern equivalent has four of them. The oscillators can be synced and detuned from another for more tonal possibilities. Regarding the oscillators, the Grandmother has two, each with a variety of waveforms. All four voices share the same signal path and filter, unlike true polyphony. On the other hand, the Matriarch is paraphonic so it can play up to four notes at once. Some may find this limiting, but it also makes the synth great for basslines and staccato notes.
The Moog Grandmother is monophonic, meaning only one note can be played at a time. In this next section, we’ll be delving deep into the differences between these two synths, looking specifically at how certain specifications, features, sound, and pricing divide the two. It is also more of a boutique item and is harder to find in local stores. The Matriarch has 42 keys, 4 note paraphony, a stereo signal path, and more features that give it an advantage over the Grandmother.īut with all that in mind, it does command a higher price the Matriarch retails for $2199 USD. The Moog Matriarch is the newer, larger, spiritual successor to the Moog Grandmother.
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